Las óleos de todo Boris Kustodiev

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49129

A Bolshevik

mk193 1920 Oil on canvas 101x141cm

59511

Blue House

Blue House (1920)

30906

Bolshevik

mk68 Oil on canvas Moscow, Tretyakov State Gallery 1920 Russia

59512

Bolshevik

Bolshevik (1920).

35180

Carnival

mk100 1916 Oil on canvas 61x123cm

59510

Country

Country (1919)

59503

Easter Greetings

Easter Greetings (1912).

59497

Fair

Fair (1910).

2282

Fiodor Shaliapin

1922 The Russian Museum, St.Petersburg

59495

Irina

Irina (daughter) (1906).

59513

Isaak Brodsky

Isaak Brodsky (1920).

2285

Julia Kustodieva

1903 The Russian Museum, St.Petersburg

59517

Kapitsa and Semenov

Kapitsa and Semenov (1921).

59507

Maslenitsa Tuesday

Maslenitsa Tuesday (1916).

59519

Maximilian Voloshin

Maximilian Voloshin (1924).

2281

Merchant Chest Maker

1923 The Artistic Museum, Nizhny Novgorod

59508

Mir Iskusstva Members

Mir Iskusstva Members (1916?C1920).

2284

Nikolai Roerich

1913 The Russian Museum, St.Petersburg

59492

Portrait of Elizabeth Grigorievna Pushkina

Portrait of Elizabeth Grigorievna Pushkina (Early 1900s).

49104

Portrait of Fyodor Chaliapin

mk193 1921 Oil on canvas 215x172cm

59494

Portrait of Julia Kustodieva

Portrait of Julia Kustodieva (wife) (1903).

86731

Portrait of Julia Kustodieva

1903(1903) Medium Oil on canvas Dimensions 139 x 133.5 cm (54.7 x 52.6 in) cyf

96710

Portrait of president of the Russian Historian Society

oil on canvas mounted on panel Dimensions 63 X 51.3 cm cyf

59505

Portrait of Renee Notgaft

Portrait of Renee Notgaft (1914).

89883

Boris Kustodiev, Portrait of the Governor-General of Finland and member of State Council Nikolai Ivanovich Bobrikov. Study for the picture Formal Session of the State

Portrait of the Governor-General of Finland and member of State Council Nikolai Ivanovich Bobrikov. Study for the picture Formal Session of the State

1902-1903 Medium oil on canvas Dimensions 60.5 x 43 cm (23.8 x 16.9 in) cjr

59493

Portrait of Vasiliy Mate

Portrait of Vasiliy Mate (1902).

59496

Promenade Along Volga River

Promenade Along Volga River (1909).

2283

Renee Notgaft

1914 The Russian Museum, St.Petersburg

86090

Russian Historian Society

1902-1903 Medium Oil on canvas mounted on panel Dimensions 63 x 51.3 cm (24.8 x 20.2 in) cyf

59520

Russian Venus

Russian Venus (1926).

27119

Self-Portrait

mk52 1912 Tempera on board 100x85cm Uffizi,Florence

59515

Shalyapin

Shalyapin (1921).

59509

Stepan Razin

Stepan Razin (1918).

96585

The Artist's Daughter, Irina

1906(1906) Medium oil cjr

93809

The Bolshevik

1920(1920) Medium oil on canvas Dimensions 101 x 141 cm (39.8 x 55.5 in) cjr

35087

The Consecration of the Waters at Epiphany

mk100 1921 Oil on canvas 89x74cm

59491

The Merchant Wife

The Merchant's Wife, (1918

96575

The Merchants Wife

oil on canvas cyf

59506

Tsar Nicholas II

Tsar Nicholas II (1915)

59518

Yevgeny Zamyatin

Yevgeny Zamyatin (1923).

Boris Kustodiev

1878-1927 Russian Boris Kustodiev Galleries The Russian Revolution of 1905, which shook the foundations of society, evoked a vivid response in the artist's soul. He contributed to the satirical journals Zhupel (Bugbear) and Adskaya Pochta (Hell??s Mail). At that time, he first met the artists of Mir Iskusstva (World of Art), a group of innovative Russian artists. He joined their association in 1910 and subsequently took part in all their exhibitions. In 1905, Kustodiev first turned to book illustrating, a genre in which he worked throughout his entire life. He illustrated many works of classical Russian literature, including Nikolai Gogol's Dead Souls, The Carriage, and The Overcoat; Mikhail Lermontov's The Lay of Tsar Ivan Vasilyevich, His Young Oprichnik and the Stouthearted Merchant Kalashnikov; and Leo Tolstoy's How the Devil Stole the Peasants Hunk of Bread and The Candle. In 1909, he was elected into Imperial Academy of Arts. He continued to work intensively, but a grave illness??tuberculosis of the spine??required urgent attention. On the advice of his doctors he went to Switzerland, where he spent a year undergoing treatment in a private clinic. He pined for his distant homeland, and Russian themes continued to provide the basic material for the works he painted during that year. In 1918, he painted The Merchant's Wife, which became the most famous of his paintings. The Merchant's Wife, (1918).In 1916, he became paraplegic. "Now my whole world is my room", he wrote. His ability to remain joyful and lively despite his paralysis amazed others. His colourful paintings and joyful genre pieces do not reveal his physical suffering, and on the contrary give the impression of a carefree and cheerful life. His Pancake Tuesday/Maslenitsa (1916) and Fontanka (1916) are all painted from his memories. He meticulously restores his own childhood in the busy city on the Volga banks. In the first years after the Russian Revolution of 1917 the artist worked with great inspiration in various fields. Contemporary themes became the basis for his work, being embodied in drawings for calendars and book covers, and in illustrations and sketches of street decorations. His covers for the journals The Red Cornfield and Red Panorama attracted attention because of their vividness and the sharpness of their subject matter. Kustodiev also worked in lithography, illustrating works by Nekrasov. His illustrations for Leskov's stories The Darner and Lady Macbeth of the Mtsensk District were landmarks in the history of Russian book designing, so well did they correspond to the literary images.

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